OTSM 008
A time span collection of instrumental and vocal music from medieval, courtly, and church,through romantic worship to abstract spiritual. Full length theme plus short versions.

Find on this Page

 

1 Medieval Dance Comp. John Hyde (Jolly pipes, drums and drone) 1'17"

2 3 Medieval Court Dance 1 & 2
Comp. John Hyde (Lute, pipes, drone, tambourine and drum) 0'53" & 0'48"

 

 

4 5 Medieval Air 1 & 2
Comp. John Hyde (Wistful pipes, viol, lute and drone) 1'15" & 1'24"

6 Medieval Fanfare
Comp. John Hyde (Horn, pipes, and drums) 0'26"

 

 

7 8 Medieval Wind Ensemble (L&S) Comp. Mark Fishlock (Slow Regal wind counterpoint) L 2'07", S 0'09"

9 10 Stately Tudor Banquet (L&S)
Comp. Mark Fishlock (Recorders, lute, drum and tambour) L 2'12", S 0'07"

 

 

11 12 Recorder Consort (L&S) Comp. Mark Fishlock (Lively recorder trio) L 2'08", S 0'08"

13 14 Greensleeves (L&S) (Traditional)
Arr. Mark Fishlock (Recorder, lute and tambourine) L 2'00", S 0'09"

 

15 16 Tudor Jesters (L&S)
Comp. Mark Fishlock (Lively flute, pipe, lute and tambourine) L 1'18", S 0'09"

17 Early Pastoral Harp
Comp. Mark Fishlock (Pensive lyrical solo) 1'28"

 

18 19 Pastoral Lyre (L&S)
Comp. Mark Fishlock (Slow stately solo) L 2'11", S 0'09"

20 Sonnets
Comp. Mark Fishlock (Courtly and romantic solo lyre) 1'59"

 

21 22 Minuet (L&S)
Comp. Mark Fishlock (French style minuet harpsichord) L1'44", S 0'06"

23 24 18th Century Passepied (L&S)
Comp. Mark Fishlock (Lively harpsichord dance) L 1'28", S 0' 06"

 
 

 

     
     
     

25 Harpsichord Invention in F#
Comp. Mark Fishlock (In the style of J S Bach) 1'25"

26 27 Harpsichord Piece 1 & 2
Comp. John Hyde (Courtly then lively) 1'17" & 1'00"

 

 

 

 

28 Courtly Dance Comp. John Hyde (Solo lute) 0'54"

29 30 31 32 33 Period Fanfares (ABCD&E) Comp. Mark Fishlock (Five fanfares) A 06", B 05", C 04", D 11" & E 09"

 
 

 

 

34 35 Gothic Organ 1 (L&S)
Comp. Mark Fishlock (Large church organ in Gothic style) L 2'11", S 0'08"

36 37 Gothic Organ 2 (L&S)
Comp. Mark Fishlock (Imposing church organ movement) L 2'06", S 0'07"

 

 

 

 

38 Chapel of Rest Comp. Mark Fishlock (Religious style for small wind organ) 1'43"

39 Grand Church Organ
Comp. John Hyde (Majestic scale and counterpoint) 1'20"

 
 
 
 

40 41 Gregorian Monks (L&S) Comp. Mark Fishlock (Haunting sound of male voices) L 1'57", S 0'08"

42 43 Children's Psalm (L&S)
Comp. Mark Fishlock (Reverent voices and organ) L 3'20", S 0'28"

 
 
 
 

44 45 Classical Worship (L&S) Comp. Eric Peters (Large organ counterpoint and voices) L 1'57", S 0'17"

46 47 Cathedral of Light (L&S)
Comp. Eric Peters (Majestic full orchestration) L 2'07",S 0'16"

 
 

48 Pie Jesu
Comp. John Hyde (Reverent trumpet, soprano voice and strings) 2'45"

49 Amore
Comp. John Hyde (Floating background, soprano voice and cello) 2'50"

 
 

 

 

50 Lover's Dream Comp. John Hyde (Haunting soprano voice, harp, strings and choir) 3'18

51 Remembrance
Comp. John Hyde (Soprano voice with soft string orchestration) 2'52"

 

 

 

 

52 53 Reflections (L&S)
Comp. Eric Peters (Flute, oboe, vibes, bass and voices) L 2'47", S 0'06"

54 55 Silver Angels (L&S)
Comp. Eric Peters (Light bells and voices with oboe) L 2'03", S 0'09"

 
 

 

 

56 57 Distant Spires (L&S)
Comp. Eric Peters (Chimes, voices, oboe, flute and bass) L 2'05", S 0'11"

58 Reverie
Comp. John Hyde (Haunting solo flute) 1'18"

 

 

 

59 Serene Beauty Comp. John Hyde (Solo flute with full majestic orchestration) 2'42"

60 Starlight
Comp. G P Hall (Peaceful floating abstract textures) 2'24"